This reorg has already brought many positive changes to my studio that I probably should have done earlier. After an enormous reorganization effort of the whole upper flour of my home, I have a wonderful space for the new machine, a nice space for my smaller Koala cabinet where i use my purely domestic machines, and maintained my big cabinet space for my 830 that I also use for cutting clothes and other projects. It seems possible it might also speed up my quilting, since the stitching speed is twice that of my Bernina 830, but that is not a given. I hope very much that this addition to my machine family will not only help my other machines last longer, but provide me with a higher level of quilting. Note: My Bernina sitdown longarm is arriving next week, perhaps Monday, followed by a day of set up and training by my dear Bernina dealer and friend Mei Ling and my magician tech Lew. Nevertheless, I think that I will continue along this path, though I do think I should do a formal quilt at some point. I hope that judging is moving toward an understanding of this. You also need to figure out if the areas are so large they need breaking up with something for interest sake (wind creatures or clouds, for instance). Some of these organic styles actually require considerably more skill than you may think…for instance large areas of simple meander should be as evenly and appropriately sized for the project as possible, which is not always easy to do. I am pretty sure it does not mean that you have less skill if you use organic shapes, although I think some judges think that, but it is an artistic design choice. I think every quilter needs to develop their own style that suits them.
Mossy side of the cave where the Nativity Scene is pictured within.įor me, it helps my end results to keep it simple, and for these types of quilts the shapes need to be organic and easy to use around complex shapes. Believe it or not I found this harder to decide on than I did the “sculptured stormy sky” quilting that I came up with for Drawing Nigh. I struggled for some time trying to come up with a good sky pattern for a quilt where the sky is supposed to be sunny and calm…not a lot of wind and no approaching storms. Since it is so heavily appliqued, it has only small spaces in which to develop any formal types of quilting patterns. This quilt is heavily appliqued to form a whimsical pictorial quilt of a fantasy forest path with trees, birds, animals, and butterflies. But for my quilts, I truly prefer a more organic approach, though I do admit there are places where formal quilt patterns would be in order.Īs of this writing, I am currently in the process of quilting my Hoffman Challenge quilt for 2016. This is a fine way to approach it and probably entered in to the judges’ decisions to award the quilt a ribbon.
This probably stemmed from my observations of the details of winning quilts at major quilt shows where the quilter had often used a very formal style of quilting even for pictorial or landscape quilts. I went through the recent past couple of years thinking I needed to learn a more formal quilting style and to avoid the natural flow of organic quilting patterns that came to my mind when looking at a landscape or pictorial quilt.
Meander quilting bark how to#
I always need to work at coming up with how to quilt my landscape and pictorial wall art quilts, as I suspect most quilters do for their quilts.
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